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First Metheoretical Bullettin

by Sad Cambodia

/

  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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      €8 EUR

     

  • Cassette + Digital Album

    Limited edition cassette, 75 copies numbered. 30 from Under My Bed, 30 from Sincope.

    Includes unlimited streaming of First Metheoretical Bullettin via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    edition of 75 
    Purchasable with gift card

      €7 EUR or more 

     

1.
Sad Cambdia - Metheoretical Bulletin I. Theory 16:40
2.
Metheoretical Bulletin II. Field Report #1 13:30

about

First Metheoretical Bulletin, as name says, is the first release of Sad Cambia, a collaboration duo composed by Stefano (My Dear Killer) and Massimo Onza (Wound). The project was born with the aim of finding a common ground for expression, in an attempt of mixing analogue electronics and acoustic instruments, mainly guitars. Along this path, synths, reverb pulses, objects, samples and noises met dispersed variations over acoustic string drawings. The result are these two tracks, which move towards keeping together the free-form tensions with rarefied, at times, almost melodic parts, alienating passages and post-rock flavour spaces. To summarise the blending of discordant mixtures drifting towards melancholic horizons, we coined the neologism Metheoretical, stemming from theoretical and meteorological. In our sad Cambodia, over the constant rain and heat of the monsoon, can you feel some distant bird singing in the forest? You might, in this first bulletin.

credits

released May 20, 2017

Sad Cambodia are: Massimo Onza, synths, loops and effects and Stephano Stephanowic, guitars and tapes loops. The tape has been mixed and mastered at MafarKa BoX by My Dear Killer. The artwork was designed by Truculentboy.

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My Dear Killer Milano, Italy

My Dear Killer was born in the middle of the nineties as project aimed at collecting minimalist song-writing, stratified on a mesh of noise, ambient and field recordings.

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